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ciousness of wasting them. The last, and chiefest danger which I would indicate, is one to which I have already referred--the risk of a failure at the commencement of the enterprise. I must insist on it. A failure at the commencement may easily kill outright the newborn impulse towards a complete vitality, and therefore every precaution should be observed to avoid it. The impulse must not be over-taxed. Let the pace of the first lap be even absurdly slow, but let it be as regular as possible. And, having once decided to achieve a certain task, achieve it at all costs of tedium and distaste. The gain in self-confidence of having accomplished a tiresome labour is immense. Finally, in choosing the first occupations of those evening hours, be guided by nothing whatever but your taste and natural inclination. It is a fine thing to be a walking encyclopaedia of philosophy, but if you happen to have no liking for philosophy, and to have a like for the natural history of street-cries, much better leave philosophy alone, and take to street-cries. End of Project Gutenberg's How to Live on 24 Hours a Day, by Arnold Bennett *** END OF THIS PROJECT GUTENBERG EBOOK HOW TO LIVE ON 24 HOURS A DAY *** ***** This file should be named 2274.txt or 2274.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/2/7/2274/ Produced by Tony Adam. HTML version by Al Haines. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public do
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