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slow, broken, but perfectly audible voice, "that now you are--satisfied with the right--of this young lady--to bear the name of--Arguello--and her relationship--sir--to one of the oldest"-- "But, my dear old friend," broke out Paul, earnestly, "I NEVER cared for that--I beg you to believe"-- "He never--never--cared for it--dear, dear colonel," sobbed Yerba, passionately: "it was all my fault--he thought only of me--you wrong him!" "I think otherwise," said the colonel, with grim and relentless deliberation. "I have a vivid--impression--sir--of an--interview I had with you--at the St. Charles--where you said"-- He was silent for a moment, and then in a quite different voice called faintly-- "George!" Paul and Yerba glanced quickly at each other. "George, set out some refreshment for the Honorable Paul Hathaway. The best, sir--you understand.... A good nigger, sir--a good boy; and he never leaves me, sir. Only, by gad! sir, he will starve himself and his family to be with me. I brought him with me to California away back in the fall of 'forty-nine. Those were the early days, sir--the early days." His head had fallen back quite easily on the pillow now; but a slight film seemed to be closing over his dark eyes, like the inner lid of an eagle when it gazes upon the sun. "They were the old days, sir--the days of Men--when a man's WORD was enough for anything, and his trigger-finger settled any doubt. When the Trust that he took from Man, Woman, or Child was never broken. When the tide, sir, that swept through the Golden Gate came up as far as Montgomery Street." He did not speak again. But they who stood beside him knew that the tide had once more come up to Montgomery Street, and was carrying Harry Pendleton away with it. End of the Project Gutenberg EBook of A Ward of the Golden Gate, by Bret Harte *** END OF THIS PROJECT GUTENBERG EBOOK A WARD OF THE GOLDEN GATE *** ***** This file should be named 2193.txt or 2193.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/9/2193/ Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties
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