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carefully the faces of such young girls as he met. "Perhaps," it occurred to him, "I may get a hint from some face I see. It is strange," he mused, "how few there are, even in the freshness of childhood, that can be called models of beauty. That child, for example, has beautiful eyes, but a badly cut mouth. Here is one that would be pretty, if the face were rounded out; and here is a child--Heaven help it!--that was designed to be beautiful, but want and unfavorable circumstances have pinched and cramped it." It was at this point in the artist's soliloquy that, in turning the corner of a street, he came upon Peg and Ida. The artist looked earnestly at the child's face, and his own lighted up with sudden pleasure, as one who stumbles upon success just as he had begun to despair of it. "The very face I have been looking for!" he exclaimed to himself. "My flower girl is found at last." He turned round, and followed Ida and her companion. Both stopped at a shop window to examine some articles which were on exhibition there. "It is precisely the face I want," he murmured. "Nothing could be more appropriate or charming. With that face the success of the picture is assured." The artist's inference that Peg was Ida's attendant was natural, since the child was dressed in a style quite superior to her companion. Peg thought that this would enable her, with less risk, to pass spurious coin. The young man followed the strangely assorted pair to the apartments which Peg occupied. From the conversation which he overheard he learned that he had been mistaken in his supposition as to the relation between the two, and that, singular as it seemed, Peg had the guardianship of the child. This made his course clearer. He mounted the stairs and knocked at the door. "What do you want?" demanded a sharp voice. "I should like to see you just a moment," was the reply. Peg opened the door partially, and regarded the young man suspiciously. "I don't know you," she said, shortly. "I presume not," said the young man, courteously. "We have never met, I think. I am an artist. I hope you will pardon my present intrusion." "There is no use in your coming here," said Peg, abruptly, "and you may as well go away. I don't want to buy any pictures. I've got plenty of better ways to spend my money than to throw it away on such trash." No one would have thought of doubting Peg's word, for she looked far from being a patron of t
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