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within him into action, he wrenched himself from Philip's arms, striving to speak. A trickle of fresh blood ran over his face. Incoherent sounds rattled in his throat, and then, overcome by his effort, he dropped back unconscious. Philip wound his handkerchief about the wounded man's head and straightened out his limbs. Then he rose to his feet and reloaded his revolver. His hands were steady now. His brain was clear; the enervating thrill of excitement had gone from his body. Only his heart beat like a racing engine. He turned and ran in the direction which Pierre's assailants had taken, his head lowered, his revolver held in front of him, on a level with his breast. He had not gone a hundred yards when something stopped him. In his path, with its face turned straight up to the moonlit sky, lay the body of a man. For an instant Philip bent over it. The broken blade of Pierre's rapier glistened under the man's throat. One lifeless hand clutched at it, as though in the last moment of life he had tried to draw it forth. The face was distorted, the eyes were still open, the lips parted. Death had come with terrible suddenness. Philip bent lower, and stared into the face of the dead man. Where had he seen that face before? Suddenly he remembered. He drew back, and a cold sweat seemed to break out all at once over his face and body. This man who lay with the broken blade of Pierre Couchee's rapier in his breast had come ashore from the London ship that day in company with Eileen and her father! For a space he was overwhelmed by the discovery. Everything that had happened--the scene upon the rock when he first met Jeanne, the arrival of the ship, the moment's tableau on the pier when Jeanne and Eileen stood face to face--rushed upon him now as he gazed down into the staring eyes at his feet. What did it all mean? Why had Lord Fitzhugh's name been sufficient to drag the half-breed back from the brink of unconsciousness? What significance was there in this strange combination of circumstances that persisted in drawing Pierre and Jeanne into the plot that threatened himself? Had there been truth, after all, in those last words that he impressed upon the fainting senses of Pierre Couchee's message to Gregson? He waited to answer none of the questions that leaped through his brain. To-morrow some one would find Pierre, or Pierre would crawl down into Churchill. And then there would be the dead man to account for. He shu
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