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mless tide, The warrior and war-steed were laid side by side. And the mountaineer tells how in sullen despair, His ghost, imannealed of its sins, lingers there; Ever watching, pale, silent, untiring, unmoved, The bright golden crown of the maiden he loved. A diver once, lured by the wealth of the prize, Sought out the deep cave where it lay, and still lies, And where, chained by a spirit-breathed spell, it shall stay, Till the whirlpool and mountain alike pass away. Twice he rose with the crown, till its gleaming points blazed On the eyes of the wondering thousands who gazed, Twice it fell from his grasp, and sank quickly again To the bed where for years undisturbed it had lain. He followed,--this effort the treasure may earn-- But vainly they watch who await his return; A red hue of blood tinged the deep waters o'er, But the diver came up from their dark depths no more. 1. Bohdo. This hero, as his character is drawn in the original legend, or tradition, from which the material of these verses was taken (a tradition which gives the popular account of the formation of an immense mark or cavity in a rock, called the "Rosstrappe" or "Horse's footstep,") is worthy of being enrolled among Odin's Berserker. 2. Nimrod. "A mighty hunter before the Lord." He built Babylon and founded that royal line which terminated with the death of Sardanapalus; whose gentleness and aversion to blood spilling, together with his passion for his "Ionian Myrrha," cost him an empire, and gained him an immortality. 3. "It was named," says the tradition, "The Devil's dancing-place, from the triumph there of the spirits of hell." End of Project Gutenberg's Mazelli, and Other Poems, by George W. Sands *** END OF THIS PROJECT GUTENBERG EBOOK MAZELLI, AND OTHER POEMS *** ***** This file should be named 2008.txt or 2008.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/0/0/2008/ Produced by An Anonymous Project Gutenberg Volunteer Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special r
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