n the Bank of France to the amount of a million
francs, that will be quite enough to guarantee our account," said
Schwab. "Fritz does not want to invest more than two million francs in
business; he will do as you wish, I am sure, M. le President."

The President's wife and daughter were almost wild with joy when he
brought home this news. Never, surely, did so rich a capture swim so
complacently into the nets of matrimony.

"You will be Mme. Brunner de Marville," said the parent, addressing his
child; "I will obtain permission for your husband to add the name to
his, and afterwards he can take out letters of naturalization. If I
should be a peer of France some day, he will succeed me!"

The five days were spent by Mme. de Marville in preparations. On the
great day she dressed Cecile herself, taking as much pains as the
admiral of the British fleet takes over the dressing of the pleasure
yacht for Her Majesty of England when she takes a trip to Germany.

Pons and Schmucke, on their side, cleaned, swept, and dusted Pons'
museum rooms and furniture with the agility of sailors cleaning down
a man-of-war. There was not a speck of dust on the carved wood; not an
inch of brass but it glistened. The glasses over the pastels obscured
nothing of the work of Latour, Greuze, and Liotard (illustrious painter
of _The Chocolate Girl_), miracles of an art, alas! so fugitive. The
inimitable lustre of Florentine bronze took all the varying hues of
the light; the painted glass glowed with color. Every line shone
out brilliantly, every object threw in its phrase in a harmony of
masterpieces arranged by two musicians--both of whom alike had attained
to be poets.

With a tact which avoided the difficulties of a late appearance on the
scene of action, the women were the first to arrive; they wished to be
on their own ground. Pons introduced his friend Schmucke, who seemed
to his fair visitors to be an idiot; their heads were so full of the
eligible gentleman with the four millions of francs, that they paid but
little attention to the worthy Pons' dissertations upon matters of which
they were completely ignorant.

They looked with indifferent eyes at Petitot's enamels, spaced over
crimson velvet, set in three frames of marvelous workmanship. Flowers by
Van Huysum, David, and Heim; butterflies painted by Abraham Mignon;
Van Eycks, undoubted Cranachs and Albrecht Durers; the Giorgione, the
Sebastian del Piombo; Backhuijzen, Hobbema, Gerica