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o'clock to go to a humble furnished room. END OF VOLUME V. * * * * * Transcriber's Notes: This e-text was prepared from numbered edition 505 of the 1000 printed. Minor punctuation and capitalization corrections have been made without comment. Minor typographical errors of single words, otherwise spelled correctly throughout the text have been made without comment. Word Variations appearing in the original text which have been retained: "pocket-book" (1) and "pocketbook" (3) "protege" (2) and "protegee" (3) Words using the [oe] ligature, which have been herein represented as "oe": "Croesus." Throughout the text, illustrations and their captions were placed on facing pages. For the purpose of this e-text these pages have been combined into one entry. Footnotes, originally at the bottom of a printed page, have been placed directly below the paragraph in which their anchor symbol appears. End of the Project Gutenberg EBook of The Mysteries of Paris, Volume 5 of 6, by Eugene Sue *** END OF THIS PROJECT GUTENBERG EBOOK THE MYSTERIES OF PARIS, V.5 *** ***** This file should be named 33804.txt or 33804.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/3/8/0/33804/ Produced by David Edwards, Christine Aldridge and the Online Distributed Proofreading Team at http://www.pgdp.net (Stanford University, SUL Books in the Public Domain) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANY
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