FREE BOOKS

Author's List




PREV.   NEXT  
|<   388   389   390   391   392   393   394   395   396   397   398   399   400   401   402   403   404   405   406   407   408   409   410   411   412  
413   414   415   416   417   418   419   420   421   422   423   424   425   426   427   428   429   >>  
these the subject reacted with no great difficulty. But then, unexpectedly, he got a stimulus word to which he had a fixed habit of response, and before he could catch himself he had made the habitual response, and so failed to give a rhyme as he had intended. This check sometimes made him really angry, and at least it brought him up to attention with a feeling which he expressed in the words, "I can and will do this thing". He was thus put on his guard, gave closer attention to what he was doing, and was usually able to overcome the counter tendency of habit and do what he meant to do. Some subjects, who adapted themselves readily and fully to the rhyming task, i.e., who got up a good "mental set" for this sort of reaction, made few errors and did not experience this feeling of effort and determination; for them the effort was unnecessary; but the average person needed the extra energy in order to overcome the resistances and accomplish his intentions. Other good instances of effort are found in the overcoming of distraction, described under the head of attention, [Footnote: See p. 259.] and in the work of the beginner at any job. When the beginner has passed the first cautious, exploratory stage of learning, he begins to "put on steam". He pounds the typewriter, if that is what he is learning, spells the words aloud, and in other ways betrays the great effort he is making. Ask a child just learning to write why he grasps the pencil so tightly, why he bends so closely over the desk, why he purses his lips, knits his brow, and twists his foot around the leg of his chair, and he might answer, very truly, that it is because he cannot do this job easily and has to _try hard_. All these unnecessary muscular movements and tensions {538} show the _access of energy_ that has been liberated in his brain by the obstruction encountered. Any learner, once he has mastered the difficulties of the task, reaches an easy-running stage in which effort is no longer required, unless for making a record or in some way surpassing himself. With reference to effort, then, we may speak of three stages of practice: the initial, exploratory stage, the awkward and effortful stage, and the skilled and free-running stage. These are identical with the three stages in the development of attention to a subject, which were described [Footnote: See p.258] as the stage of spontaneous attention or curiosity; the stage of forced attention, or effor
PREV.   NEXT  
|<   388   389   390   391   392   393   394   395   396   397   398   399   400   401   402   403   404   405   406   407   408   409   410   411   412  
413   414   415   416   417   418   419   420   421   422   423   424   425   426   427   428   429   >>  



Top keywords:

effort

 

attention

 

learning

 
feeling
 

overcome

 

energy

 

running

 

Footnote

 

stages

 
making

beginner

 
response
 
subject
 

exploratory

 
unnecessary
 

easily

 

answer

 

twists

 
tightly
 
grasps

betrays

 
pencil
 

purses

 

closely

 
reaches
 

practice

 

initial

 
awkward
 

reference

 

surpassing


effortful

 

skilled

 

spontaneous

 

curiosity

 

forced

 

identical

 

development

 

record

 

access

 

liberated


muscular

 

movements

 
tensions
 

obstruction

 

encountered

 

longer

 

required

 
difficulties
 

learner

 

mastered