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nobody's asked me. Is she going out, this weather?" "No: I wish she would. She says it tires her too much. It's a pity she hates the South so." They walked to the tiny tapestried lift, beyond the curve of the great stairs, and she pressed the ivory button that sent them up. At the fourth floor the car settled lightly and they stepped out. "She's not speaking much," the nurse warned him, "but of course she may, for you. Very gloomy, for two days, she's been." She knocked lightly at a door and entered without waiting. The room was very light, with bowls of cut flowers everywhere and a pair of green love-birds billing eternally on a brass standard: they chirped softly now and then. A miniature grand piano filled one corner, and the light fell richly on the tooled leather of low book-cases, and slipped into reflected pools of violet, green and blood-red on the polished floor. A great tiger skin stretched in front of a massive, claw-legged davenport, and in the corner of it, away from the cheerful, crackling fire, a black-haired woman sat, tense and silent, her eyes fixed in a brooding stare. She was all in delicate, cunningly mingled tints of mauve, violet and lavender; near her neck tiny diamond points winked; magnificent emeralds edged with diamonds lay like green stains on her long white hands. In her dark immobility, among the rich, clear objects scattered so artfully about the sun-lighted chamber, she had a marvellous effect of being the chief figure in some modern French artist's impressionistic "interior." She gave a distinct sense of having been bathed and dried, scented and curled, dressed--and abandoned there, between the love-birds and the polished piano: a large gold frame about the room would have supplied the one note lacking. "Well, Miss Mary, and how goes it?" Dr. Stanchon said, sitting beside her and taking her hand easily, since she failed to notice his own outstretched. She lifted her eyes slightly to his, moved her lips, then sighed a little and dropped her lids. She might have been a young-looking woman of forty, or a girl of twenty-five who had been long ill or distressed. "Come, now, Miss Mary, I hear you've given me up--wasn't I high priced enough for you? Because I can always accommodate, you know, in that direction," Stanchon went on persuasively. Again she raised her eyes, swallowed, appeared to overcome an almost unconquerable lethargy of spirit, and spoke. "It's
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