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compromised me; why I shall lose my commission if found out." "No, sar; nobody wrong but de smuggler; dey make a lilly mistake; case you brought to court-martial, I give evidence, and den I clear you." "But what must we do with the tubs, Cockle?" said I, appealing to him. "Do Bob?--why they are a present--a very welcome one, and a very handsome one into the bargain. I shall not _keep_ them, I pledge you my word; let that satisfy you--they shall be _fairly entered_." "Upon that condition, Cockle," I replied, "I shall of course not give information against you." (I knew full well what he meant by saying he would not _keep_ them.) "_How_ I do, Massa Cockle," said Moonshine, with a grave face; "I take um to the Custom-house to-night or to-morrow morning." "To-morrow, Moonshine," replied Cockle; "at present just put them out of sight." I did not think it prudent to make any further inquiries; but I afterwards discovered that the smugglers, true to their word, and still in error, continued to leave six tubs in old Cockle's garden whenever they succeeded in running a cargo, which, notwithstanding all our endeavours, they constantly did. One piece of information I gained from this affair, I found that the numbers of the cargoes which were run compared to those which were seized during the remainder of the time I was on that station, was in the proportion of ten to one. The cargoes run were calculated by the observations of old Cockle, who, when I called upon him, used to say very quietly, "I shouldn't wonder if they did not run a cargo last night, Bob, in spite of all your vigilance--was it very dark?" "On the contrary," replied I, looking at the demure face of the negro; "I suspect it was _Moonshine_." End of the Project Gutenberg EBook of Olla Podrida, by Frederick Marryat (AKA Captain Marryat) *** END OF THIS PROJECT GUTENBERG EBOOK OLLA PODRIDA *** ***** This file should be named 23139.txt or 23139.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/1/3/23139/ Produced by Nick Hodson of London, England Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyr
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