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The Project Gutenberg EBook of Mediaeval Tales, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Mediaeval Tales Author: Various Editor: Henry Morley Release Date: February 16, 2009 [EBook #28094] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MEDIAEVAL TALES *** Produced by Delphine Lettau and the Online Distributed Proofreading Team at http://www.pgdp.net MEDIAEVAL TALES _WITH AN INTRODUCTION BY HENRY MORLEY_ LL. D., LATE PROFESSOR OF ENGLISH LITERATURE AT UNIVERSITY COLLEGE, LONDON LONDON: GEORGE ROUTLEDGE & SONS, LTD. NEW YORK: E. P. DUTTON & CO. INTRODUCTION. This volume of "Mediaeval Tales" is in four parts, containing severally, (1) Turpin's "History of Charles the Great and Orlando," which is an old source of Charlemagne romance; (2) Spanish Ballads, relating chiefly to the romance of Charlemagne, these being taken from the spirited translations of Spanish ballads published in 1823 by John Gibson Lockhart; (3) a selection of stories from the "Gesta Romanorum;" and (4) the old translation of the original story of Faustus, on which Marlowe founded his play, and which is the first source of the Faust legend in literature. * * * * * Turpin's "History of Charles the Great and Orlando" is given from a translation made by Thomas Rodd, and published by himself in 1812, of "Joannes Turpini Historia de Vita Caroli Magni et Rolandi." This chronicle, composed by some monk at an unknown date before the year 1122, professed to be the work of a friend and secretary of Charles the Great, Turpin, Archbishop of Rheims, who was himself present in the scenes that he describes. It was--like Geoffrey of Monmouth's nearly contemporary "History of British Kings," from which were drawn tales of Gorboduc, Lear and King Arthur--romance itself, and the source of romance in others. It is at the root of many tales of Charlemagne and Roland that reached afterwards their highest artistic expression in Ariosto's "Orlando Furioso." The tale ascribed to Turpin is of earlier date than the year 1122, because in that year Pope Calixtus II. officially declared its authenticity. But it was th
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