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lpho_ with Horace Walpole's _The Castle of Otranto_. As it is unclear which book he was referring to, the error has not been corrected. Irregularities in hyphenation (e.g. bed-side and bedside) between stories have not been changed. Where a line of dots was used as a thought break in the original, the number of dots has been regularized. In the plain text version of this book, all thought breaks appear as a line of asterisks. Some stories included a credit line at the bottom of the first page. These have been formatted as lettered footnotes. Two oe-ligatures were changed to oe (Phoenix, pp. 45 and 58). Also, the following errors were corrected: checque to cheque (p. 8); forty-one to forty one (p. 9: At forty one cannot); stealthly to stealthily (p. 22); missing comma added (p. 55: during the last twenty-four hours, Anderson); hyphen added (p. 85: threemaster to three-master); missing close quote added (p. 130: "Blundering Borlsovers, unnecessarily unnatural, extraordinarily eccentric, culpably curious."); single close quote to double close quote (p. 130: "Is it my uncle who is writing?"); capitivity to captivity (p. 150); temptests to tempests (p. 172); Caremelite to Carmelite (p. 174); missing close quote added (p. 187: "Pietro, go down to Parco and ask Padre Stefano to come here at once."); Valguanero to Valguanera (p. 189); hyphen removed (p. 198: country-side to countryside); apostrophe added (p. 203: duds o' Janets to duds o' Janet's); Say she to Says he (p. 219: Says he can see you through a two-inch bulkhead, and the like.)] End of Project Gutenberg's Masterpieces of Mystery, Vol. 1 (of 4), by Various *** END OF THIS PROJECT GUTENBERG EBOOK MASTERPIECES OF MYSTERY *** ***** This file should be named 27722.txt or 27722.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/7/2/27722/ Produced by David Clarke, S.D., and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special
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