FREE BOOKS

Author's List




PREV.   NEXT  
|<   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185  
186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   >>   >|  
ay to draw A third more opulent than your sisters'? Speak! CORDELIA. Nothing, my lord. LEAR. Nothing! CORDELIA. Nothing. LEAR. Nothing can come of nothing: speak again! CORDELIA. Unhappy that I am! I cannot heave My heart into my mouth: I love your majesty According to my bond; nor more, nor less. Now this is perfectly natural. Cordelia has penetrated the vile characters of her sisters. Is it not obvious, that, in proportion as her own mind is pure and guileless, she must be disgusted with their gross hypocrisy and exaggeration, their empty protestations, their "plaited cunning;" and would retire from all competition with what she so disdains and abhors,--even into the opposite extreme? In such a case, as she says herself-- What should Cordelia do?--love and be silent? For the very expressions of Lear-- What can you say to draw A third more opulent than your sisters'? are enough to strike dumb forever a generous, delicate, but shy disposition, such as Cordelia's, by holding out a bribe for professions. If Cordelia were not thus portrayed, this deliberate coolness would strike us as verging on harshness or obstinacy; but it is beautifully represented as a certain modification of character, the necessary result of feelings habitually, if not naturally, repressed: and through the whole play we trace the same peculiar and individual disposition--the same absence of all display--the same sobriety of speech veiling the most profound affections--the same quiet steadiness of purpose--the same shrinking from all exhibition of emotion. "Tous les sentimens naturels ont leur pudeur," was a _viva voce_ observation of Madame de Stael, when disgusted by the sentimental affectation of her imitators. This "pudeur," carried to an excess, appears to me the peculiar characteristic of Cordelia. Thus, in the description of her deportment when she receives the letter of the Earl of Kent, informing her of the cruelty of her sisters and the wretched condition of Lear, we seem to have her before us:-- KENT. Did your letters pierce the queen to any demonstration of grief? GENTLEMAN. Ay, sir, she took them, and read them in my presence And now and then an am
PREV.   NEXT  
|<   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185  
186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   >>   >|  



Top keywords:

Cordelia

 

Nothing

 

sisters

 

CORDELIA

 
disgusted
 

peculiar

 

pudeur

 
strike
 

disposition

 
opulent

shrinking

 
steadiness
 

purpose

 

exhibition

 
emotion
 

observation

 

sentimens

 

naturels

 

naturally

 

repressed


habitually

 

result

 

feelings

 
speech
 

veiling

 

Madame

 
profound
 

sobriety

 

display

 

individual


absence

 

affections

 

affectation

 

pierce

 
demonstration
 

letters

 
GENTLEMAN
 

presence

 

condition

 
carried

excess

 

appears

 
imitators
 

sentimental

 
character
 

characteristic

 
informing
 
cruelty
 

wretched

 
letter