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The shock was too much for me, and I fell back again. ***** As soon as I was strong enough for the journey I visited the scene, and was shown, on the spot where once the church had stood, a bare, grim mound. Underneath it lay all that was mortal of Lucia, Niabon, Tematau, and three hundred others, who had in one swift moment been sent to eternity that dreadful night. Some of the few survivors, who, under the direction of a priest, and the Governor of San Ignacio, were erecting a tall wooden cross at the foot of the great grave, led me to the site of the house in which my dear companions had met their deaths. Nine other people were in the house when it fell and buried the sleepers, and the agony must have been short for them all. The tidal wave which accompanied the earthquake had hurled the boat and Tepi and myself for many hundreds of yards inland. I was picked up in the boat herself, stunned and severely injured. Tepi was carried into a rice field, and although his arm was broken, he at once set out in search of me, and the faithful fellow had come with me when I was carried in a bullock cart to San Ignacio, where the doctor and priests had brought me round after two weeks' dangerous illness. Before leaving Guam I spent two months with my friend Jose Otano, who tried hard to make me stay with him. At his house poor Lucia's heart-broken sister came to see me very often, and I bade her farewell with genuine sorrow. Then one day Tepi and I turned our faces once more to the islands of the south--and so the story of my strange adventure is told. End of the Project Gutenberg EBook of The Strange Adventure Of James Shervinton, by Louis Becke *** END OF THIS PROJECT GUTENBERG EBOOK ADVENTURE OF JAMES SHERVINTON *** ***** This file should be named 24999.txt or 24999.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/4/9/9/24999/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to
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