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was better for the present to leave her to herself. On Valmont's return, D'Elsac prepared to leave Salency, for he had been absent much longer than he had intended; but, before he went, he took an opportunity of telling Margoton and her husband the real motive of his journey, though he added he could not suppose they could now consent to part with another child. Margoton and Valmont had for some time felt how painful it was to meet their neighbours, those very neighbours who had assisted in the triumph of Lisette; and, as Caliste's conduct was not free from suspicion, they replied to D'Elsac in a way he little expected, by proposing that they should sell their little property in Salency, and all go to live near Grenoble, where he might take first one and then the other of their children, without choosing one in preference to her sisters. This plan particularly suited his wishes; and as to Victorine, her happiness was almost unbounded at returning so near her dear Switzerland, particularly as her mother confessed to her before their departure, that it was in the earnest desire of seeking after that heavenly peace which had been the means of preserving Victorine through the trials that had nearly destroyed her sister's earthly and eternal happiness. It was on the 8th of August, just two months after the fete of the Rose, that Margoton Durocher, her husband, and her three daughters, first attended the Protestant chapel at Geneva. D'Elsac too was there, and the merry hearted Mimi. Thus was the peace of mind of Victorine blessed to many, and had she too striven for the earthly roses, she would have added another pang to the heart of her parents, and deprived herself, for a momentarily or hourly gratification, of much lasting happiness. G. Woodfall and Son, Printers, Angel Court, Skinner Street, London. ***END OF THE PROJECT GUTENBERG EBOOK THE YOUNG LORD AND OTHER TALES*** ******* This file should be named 24403.txt or 24403.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/2/4/4/0/24403 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules,
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