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n. They pumped and pumped away till they were weary, and then went back into the cabin to lie down awhile. They had now got more accustomed to the sight of their dead captain, so that even Bill did not object to passing the night in the cabin. The next day they again pumped away, and had entirely freed the vessel by noon. Having nothing more to do, their thoughts turned towards the possibility of reaching England. They anxiously scanned the horizon in the hopes of seeing some vessel approaching them. A sail was seen at length--they thought that she was coming towards them, but she stood away; then another and another came in sight; but their vessel was not perceived. Another night came on. As the sun went down, the sky again became very threatening. Before midnight the gale had returned. There was no compass below, so the boys did not know from what quarter it blew. Poor Bill began really to despair, and wanted to get into a berth and go to sleep till he was drowned. "No, don't do that," said Robby. "While there's life there's hope; and, depend on't, God knows what's best for us." The storm raged furiously, but the little vessel, freed from water, and light as a cask, floated like a cork driven before it. At length the gale ceased, and the sea went down, and the two boys went on deck. The coast was in sight--they knew it well--they were off Lowestoft. Boats came off--the _Sea-gull_ was towed into the Yar. It became known how Robby and Bill had kept the vessel afloat by pumping her out before the second gale came on. A subscription was raised for Robby and his mother; and, though he is very young, he commands a vessel of his own, still firm in the belief which he endeavours to impress on others, that "God knows what is best for us." End of Project Gutenberg's The Ferryman of Brill, by William H. G. Kingston *** END OF THIS PROJECT GUTENBERG EBOOK THE FERRYMAN OF BRILL *** ***** This file should be named 21460.txt or 21460.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/4/6/21460/ Produced by Nick Hodson of London, England Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission
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