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id not forsake him when desertion might have meant the destruction of the one small seed of goodness which had developed in his heart with the advent of a love for which nothing in his whole previous life had prepared him. =FAMOUS AUTHORS AND THEIR BOOKS INCLUDED IN THIS SERIES= * * * * * =ECCENTRIC MR. CLARK= =By JAMES WHITCOMB RILEY= _Author of "An Old Sweetheart of Mine," etc._ =THE PRINCESS ELOPES= =By HAROLD MacGRATH= _Author of "The Man on the Box," etc._ =AS THE HEART PANTETH= =By HALLIE ERMINIE RIVES= _Author of "The Valiants of Virginia," etc._ =ROSALYNDE'S LOVERS= =By MAURICE THOMPSON= _Author of "Alice of Old Vincennes," etc._ =THE HOUSE IN THE MIST= =By ANNA KATHARINE GREEN= _Author of "The Leavenworth Case," etc._ =TROLLEY FOLLY= =By HENRY WALLACE PHILLIPS= _Author of "Red Saunders," etc._ =MOTORMANIACS= =By LLOYD OSBOURNE= _Author of "A Person of Some Importance," etc._ =THE FIFTH STRING= =By JOHN PHILIP SOUSA= _Author of "Pipetown Sandy," etc._ =CHIMES FROM A JESTER'S BELLS= =By ROBERT J. BURDETTE= _Author of "Old Time and Young Tom," etc._ =A GUEST AT THE LUDLOW= =By BILL NYE= _Author of "Baled Hay," etc._ =FOUR IN FAMILY= =By FLORIDA POPE SUMERWELL= =A FOOL FOR LOVE= =By FRANCIS LYNDE= _Author of "The Grafters," etc._ Transcriber's Notes: Page 150 "ever eighteen" left as in source ("had I been ever eighteen, ...") Page 158 "seculsion" changed to "seclusion" ("To my mind, it added an element of pathos to his seclusion, ...") Page 168 "Vandkye" changed to "Vandyke" ("Mrs. Vandyke received me with effusion.") End of Project Gutenberg's The House in the Mist, by Anna Katharine Green *** END OF THIS PROJECT GUTENBERG EBOOK THE HOUSE IN THE MIST *** ***** This file should be named 19147.txt or 19147.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/9/1/4/19147/ Produced by Sam Whitehead, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy an
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