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n the first to know of it. Yet the incredible truth was being thrust at him that Michael had struggled through his first love without drawing upon the deep wells of Wentworth's knowledge. "The woman I fell in love with was Fay. She was seventeen. I was nineteen." The room went round with Wentworth. "Fay," he said, in blank astonishment, "Fay!" Then a glare of light broke in on him. "Then it was she," he stammered, "not her maid, as that brute Alington said--it was she--she herself that----" "It was her I went to see the night I was arrested. I was deeply in love with her." Michael paused a moment, and then added gently, "She never cared for me. I did not see that clearly at the time, because I was blinded by my own passion. I have seen it since." Wentworth made no movement. "I decided to leave Rome. Fay wrote to me that I ought to go. I went to say good-bye to her in the garden the night the Marchese was murdered. While I was in the garden, the murder was discovered and the place was surrounded, and I could not get away. I hid in Fay's boudoir. The Duke came in and explained to Fay what had happened. It was the first I knew of it. Then, when they searched the house and I saw that I must be discovered in another moment, I came out and gave myself up as the murderer, because I could not be found hiding in Fay's rooms at night. It was the only thing to do." Fay took a long breath. What a simple explanation it seemed after all. Why had she been so terrified? Wentworth could not blame her seriously now. "I never tried to shield the Marchesa," Michael went on. "That was her own idea. I only wanted to shield Fay from being--misconstrued. The Duke understood. He saw me hiding behind the screen, and tried to save me. He told me so next day. The Duke was good to me from first to last." Wentworth turned a fierce, livid face towards his brother. "Have I really got at the truth at last?" he said. "How can I tell? The Duke could have told me, but he is dead. Did he really connive at your romantic passion for his wife? If I may venture to offer an opinion, that part of the story is not quite so well thought out as the rest, though it is excessively modern. Anyhow he is dead. You tell me he saw you behind the screen in his wife's rooms at midnight, and felt no need of an explanation. How like an Italian. But he is dead. And you forced your love on another man's wife, though you own she did not return it, wo
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