, consisted of
good-humoured portraits of all the persons concerned in the
representation. Some intimation of this design having got among the
actors, an alarm was felt instantly at the ridicule thus in store for
them; and to quiet their apprehensions, the author was obliged to
assure them that if, after having heard his epilogue at rehearsal,
they did not, of themselves, pronounce it harmless, and even request
that it should be preserved, he would most willingly withdraw it. In
the mean time, it was concerted between this gentleman and Lord Byron
that the latter should, on the morning of rehearsal, deliver the
verses in a tone as innocent and as free from all point as
possible,--reserving his mimicry, in which the whole sting of the
pleasantry lay, for the evening of representation. The desired effect
was produced;--all the personages of the green-room were satisfied,
and even wondered how a suspicion of waggery could have attached
itself to so well-bred a production. Their wonder, however, was of a
different nature a night or two after, when, on hearing the audience
convulsed with laughter at this same composition, they discovered, at
last, the trick which the unsuspected mimic had played on them, and
had no other resource than that of joining in the laugh which his
playful imitation of the whole dramatis personae excited.

The small volume of poems, which he had now for some time been
preparing, was, in the month of November, ready for delivery to the
select few among whom it was intended to circulate; and to Mr. Becher
the first copy of the work was presented.[55] The influence which this
gentleman had, by his love of poetry, his sociability and good sense,
acquired at this period over the mind of Lord Byron, was frequently
employed by him in guiding the taste of his young friend, no less in
matters of conduct than of literature; and the ductility with which
this influence was yielded to, in an instance I shall have to mention,
will show how far from untractable was the natural disposition of
Byron, had he more frequently been lucky enough to fall into hands
that "knew the stops" of the instrument, and could draw out its
sweetness as well as its strength.

In the wild range which his taste was now allowed to take through the
light and miscellaneous literature of the day, it was but natural that
he should settle with most pleasure on those works from which the
feelings of his age and temperament could extract their