r that it was from kissing to such excess the pretty Erfurt women.
When I had related, however, the history of my lessons on the horn, she
laughed heartily at my expense."
In October, 1809, Spohr and his wife started on an art journey to
Russia, but they were recalled by the court chamberlain, who said that
the duchess could not spare them from the court concerts, but would
liberally indemnify them for the loss. Spohr returned and remained at
home for nearly three years, during which time he composed a number of
important works for orchestra and for the violin. In 1812 a visit to
Vienna, during which he gave a series of concerts, so delighted the
Viennese that Spohr was offered the direction of the Ander Wien theatre
at a salary three times that received at Gotha, besides valuable
emoluments. This, and the assurance of Count Palffy, the imperial
intendant, that he meant to make the orchestra the finest in Europe,
induced Spohr to accept the offer.
When it became necessary for our musician to search for a domicile
in Vienna, he met with another piece of good fortune. One morning
a gentleman waited on him, introducing himself as a wealthy clock
manufacturer and a passionate lover of music. The stranger made an
eccentric proposition. Spohr should hand over to him all that he should
compose or had composed for Vienna during the term of three years, the
original scores to be his sole property during that time, and Spohr not
even to retain a copy. "But are they not to be performed during that
time?" "Oh, yes! as often as possible; but each time on my lending them
for that purpose, and when I can be present myself." The bargain was
struck, and the ardent connoisseur agreed to pay thirty ducats for a
string quartet, five and thirty for a quintet, forty for a sextet, etc.,
according to the style of composition. Two works were sold on the spot,
and Spohr said he should devote the money to house-furnishing. Herr Von
Tost undertook to provide the furniture complete, and the two made a
tour among the most fashionable shops. When Spohr protested against
purchasing articles of extreme beauty and luxury, Von Tost said, "Make
yourself easy, I shall require no cash settlement. You will soon
square all accounts with your manuscripts." So the Spohr domicile
was magnificently furnished from kitchen to attic, more fitly, as the
musician said, for a royal dignitary or a rich merchant than for a poor
artist. Von Tost claimed he would gain t
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