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e philosophers into saints, to write the "Edifying Life" of Pythagoras or Plotinus, to attribute to them a legend, virtues of abstinence, contemplation, and supernatural powers, without which neither credence nor authority were found in that age. [Footnote 1: Philostratus, _Life of Apollonius_, i. 2, vii. 11, viii. 7; Unapius, _Lives of the Sophists_, pages 454, 500 (edition Didot).] Preserve us, then, from mutilating history in order to satisfy our petty susceptibilities! Which of us, pigmies as we are, could do what the extravagant Francis d'Assisi, or the hysterical saint Theresa, has done? Let medicine have names to express these grand errors of human nature; let it maintain that genius is a disease of the brain; let it see, in a certain delicacy of morality, the commencement of consumption; let it class enthusiasm and love as nervous accidents--it matters little. The terms healthy and diseased are entirely relative. Who would not prefer to be diseased like Pascal, rather than healthy like the common herd? The narrow ideas which are spread in our times respecting madness, mislead our historical judgments in the most serious manner, in questions of this kind. A state in which a man says things of which he is not conscious, in which thought is produced without the summons and control of the will, exposes him to being confined as a lunatic. Formerly this was called prophecy and inspiration. The most beautiful things in the world are done in a state of fever; every great creation involves a breach of equilibrium, a violent state of the being which draws it forth. We acknowledge, indeed, that Christianity is too complex to have been the work of a single man. In one sense, entire humanity has co-operated therein. There is no one so shut in, as not to receive some influence from without. The history of the human mind is full of strange coincidences, which cause very remote portions of the human species, without any communication with each other, to arrive at the same time at almost identical ideas and imaginations. In the thirteenth century, the Latins, the Greeks, the Syrians, the Jews, and the Mussulmans, adopted scholasticism, and very nearly the same scholasticism from York to Samarcand; in the fourteenth century every one in Italy, Persia, and India, yielded to the taste for mystical allegory; in the sixteenth, art was developed in a very similar manner in Italy, at Mount Athos, and at the court of the Great Mogu
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