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to a supernatural helper of "all things that are kind"--here is an idea for the tenderest handling. My feeling is, while giving Mrs. BUCKROSE every credit for such an inspiration, that she should have been a little sterner with herself over the treatment, and thus avoided a certain stickiness that may irritate those who prefer the simplicity of nature to a not quite sufficiently concealed art. But, as I began by saying, it all depends on the individual palate; and, anyhow, the book has the historic excuse of being a very little one, which you can read, with pleasure or irritation, within the hour. * * * * * If you should chance to hanker for a change from novels in which the hero and heroine dally over-long in falling in love you will get it by reading _The Fur-Bringers_ (HODDER AND STOUGHTON). No time is wasted upon preliminaries, not a minute; and as soon as _Ambrose Deane_ and _Colina Gaviller_ have met and discovered at sight that they are just made for each other the really exciting part of the story begins. I forget how many times _Ambrose_ is arrested during the course of the tale, but I do know that things keep on happening all the time, and that the rescue of the hero by the Indian girl _Nesis_ is delightfully told. Altogether Mr. HULBERT FOOTNER'S picture of the life of a trader in Athabasca is particularly attractive. I like it all, including the cover. * * * * * [Illustration: THE DOUCEUR.] * * * * * "At Leicester Assizes Levi Durance, aged thirty-four, a discharged soldier, was sentenced to ten months' imprisonment for bigamy."--_Pall Mall Gazette._ A proper verdict this, that for a while Turns LEVI DURANCE into durance vile. ***END OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL. 152, JANUARY 31, 1917*** ******* This file should be named 14516.txt or 14516.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/4/5/1/14516 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the Gen
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