vail on
Gluck to write another opera.

A new director was now in charge of the Opera House. He conceived the
bright idea of setting the two composers at work on the same subject,
which was to be "Iphigenie en Tauride." This plan made great commotion
in the ranks of the rival factions, as each wished to have their
composer's work performed first. The director promised that Piccini's
opera should be first placed in rehearsal. Gluck soon finished his
and handed it in, but the Italian, trusting to the director's word of
honor, was not troubled when he heard the news, though he determined
to complete his as soon as possible. A few days later, when he went to
the Opera House with his completed score, he was horrified to find the
work of his rival already in rehearsal. There was a lively scene, but
the manager said he had received orders to produce the work of Gluck
at once, and he must obey. On the 18th of May, 1779, the Gluck opera
was first performed. It produced the greatest excitement and had a
marvelous success. Even Piccini succumbed to the spell, for the music
made such an impression on him that he did not wish his own work to be
brought out.

The director, however, insisted, and soon after the second Iphigenie
appeared. The first night the opera did not greatly please; the next
night proved a comic tragedy, as the prima donna was intoxicated.
After a couple of days' imprisonment she returned and sang well. But
the war between the two factions continued till the death of Gluck,
and the retirement of Piccini.

The following year, in September, Gluck finished a new opera, "Echo et
Narcisse," and with this work decided to close his career, feeling he
was too old to write longer for the lyric stage. He was then nearly
seventy years old, and retired to Vienna, to rest and enjoy the fruits
of all his years of incessant toil. He was now rich, as he had earned
nearly thirty thousand pounds. Kings and princes came to do him honor,
and to tell him what pleasure his music had always given them.

Gluck passed away on November 15, 1787, honored and beloved by all.
The simple beauty and purity of his music are as moving and expressive
to-day as when it was written, and the "Michael of Music" speaks to us
still in his operas, whenever they are adequately performed.

V

JOSEF HAYDN

In Josef Haydn we have one of the classic composers, a sweet, gentle
spirit, who suffered many privations in early life, and through his