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America. Mr. Gilman tells us: "His grave is on an open hill-top, commanding one of the spacious and beautiful views he had loved. On a bronze tablet are these lines of his own, used as a motto for his 'From a Log Cabin,' the last music he ever wrote: 'A house of dreams untold It looks out over the whispering tree-tops And faces the setting sun.'" XXII CLAUDE ACHILLE DEBUSSY "_I love music too much to speak of it otherwise than passionately_." DEBUSSY "_Art is always progressive; it cannot return to the past, which is definitely dead. Only imbeciles and cowards look backward. Then--Let us work_!" DEBUSSY It is difficult to learn anything of the boyhood and youth of this rare French composer. Even his young manhood and later life were so guarded and secluded that few outside his intimate circle knew much of the man, except as mirrored in his music. After all that is just as the composer wished, to be known through his compositions, for in them he revealed himself. They are transparent reflections of his character, his aims and ideals. Only the barest facts of his early life can be told. We know that he was born at Saint Germain-en-Laye, France, August 22, 1862. From the very beginning he seemed precociously gifted in music, and began at a very early age to study the piano. His first lessons on the instrument were received from Mme. de Sivry, a former pupil of Chopin. At ten he entered the Paris Conservatoire, obtaining his Solfege medals in 1874, '75, and '76, under Lavignac; a second prize for piano playing from Marmontel in 1877, a first prize for accompanying in 1880; an accessory prize for counterpoint and fugue in 1882, and finally the Grande Prix de Rome, with his cantata, "L'Enfant Prodigue," in 1884, as a pupil of Guirand. Thus in twelve years, or at the age of twenty-two, the young musician was thoroughly furnished for a career. He had worked through carefully, from the beginning to the top, with thoroughness and completeness, gaining his honors, slowly, step by step. All this painstaking care, this overcoming of the technical difficulties of his art, is what gave him such complete command and freedom in using the medium of tone and harmony, in his unique manner. While at work in Paris, young Debussy made an occasional side trip to another coun
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