ed so convincingly that the boy sat down again
and resumed his playing. Afterwards wine was brought in and they all
drank to the health of the young master. Chopin gave them a mazurka
for farewell, then the tall post master caught him up and carried him
out to the coach, and all travelers started away in high spirits.
About the middle of July, 1829, Chopin with three young friends,
started out for Vienna. In those days an artist, in order to make
himself and his work known, had to travel about the world and arrange
concerts here and there, introduce himself to prominent people in each
place and make them acquainted with his gifts. The present journey had
for its object Vienna, the city of Beethoven and Schubert and other
great masters.
Of course the young musician carried many letters of introduction,
both to publishers and influential persons, for whom he played. Every
one told him he ought to give a concert, that it would be a disgrace
to parents, teachers and to himself not to appear in public. At last
Frederic overcame his hesitation. In a letter home he writes; "I have
made up my mind; they tell me I shall create a furore, that I am an
artist of the first rank, worthy of a place beside Moscheles, Herz
and Kalbrenner," well-known musicians of the day. One must forgive the
nineteen year old boy, if he felt a little pride in being classed with
these older and more famous musicians.
The concert took place in the Imperial Opera House, just ten days
after his arrival, and from all accounts was a great success. Chopin
was more than satisfied, he was delighted. Indeed his success was so
emphatic that a second concert was given the following week. In both
he played some of his own compositions and improvised as well.
"It goes crescendo with my popularity here, and this gives me much
pleasure," he wrote home, at the end of the fortnight, and on the eve
of starting to return. On the way back the travelers visited Prague,
Teplitz and Dresden. A couple of days were spent in each, and then the
party arrived safely in Warsaw.
With such an intense nature, friendship and love were two vital forces
controlling life and action. Chopin was devoted to his friends; he
clung to them with effusive ardor, incomprehensible to those less
sensitive and romantic. With Titus Woyciechowski he was heart to heart
in closest intimacy, and wrote him the most adoring letters when they
chanced to be separated. Titus was less demonstrative, b
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