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. In clearer articulation sings a dual song, still softly o'ercast with sweet sadness, ever richer in the harmonies of multiple strings, tipped with the light mood,--and again the wistful cadence. Siren figures of entrancing grace that move amid the other melody, bring enchantment that has no cheer, nor escape the insistent sighing phrase. Once more come the ominous call and the passionate plea, then assurance with the returning main melody in renewed fervor. Phases of dual melody end again with the wistful cadence. The tranquil close is like one sustained fatal farewell, where the fairy figures but stress the sad burden. _IV._--The beginning is in lowest depths (Largo). First is the stalking figure of earliest movement, from the moment of despond. It is answered by a steadily striding theme, almost martial, save for the [Music: _Lento_ (_Pizz._ cellos with _stacc._ bassoons)] slowness of pace. Not unlike the hymn of the first prologue in line of tune, it bears a mood of dark resignation that breaks presently into the touching plea of the wistful cadence. The whole is a reflective prologue to the Finale: a deep meditation from which the song may roll forth on new spring. The hymn has suddenly entered with a subtly new guise; for the moment it seems part of the poignant sigh; it is as yet submerged in a flood of gloom and regret; and the former phrases still stride and stalk below. In a wild climax of gloom we hear the former sob, earlier companion of the stalking figure. Hymnal strains return,--flashes of heavenly light in the depths of hell, and one passionate sigh of the melting cadence. _Allegro_,--we are carried hack to the resolute vigor of the earlier symphony, lacking the full fiery charm, but ever striving and stirring, like Titans rearing mountain piles, not without the cheer of toil itself. At the height comes a burst of the erst yearning cadence, but there is a new masterful accent; the wistful edge does not return till the echoing phrases sink away in the depths. A new melody starts soaring on the same wing of [Music: (Strings and clarinets) _Allegro_ _cantabile_ (_Staccato_ strings _con 8ve._)] blended striving and yearning of which all this song is fraught. In its broader sweep and brighter cheer it is like the queenly melody of the first movement. The Titan toil stirs strongly below the soft cadence; the full, fierce ardor mounts heavenward. Phases now alternate of insistent rear
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