ther. She rustled her garments
ominously, and vanished.

"Oh, my own Richard!" the fair girl just breathed.

He whispered, "Call me that name."

She blushed deeply.

"Call me that name," he repeated. "You said it once today."

"Dearest!"

Not that."

"O darling!"

"Not that."

"Husband!"

She was won. The rosy gate from which the word had issued was closed with
a seal.

Ripton did not enjoy his introduction to the caged bird of beauty that
night. He received a lesson in the art of pumping from the worthy
landlady below, up to an hour when she yawned, and he blinked, and their
common candle wore with dignity the brigand's hat of midnight, and cocked
a drunken eye at them from under it.

CHAPTER XXVIII

Beauty, of course, is for the hero. Nevertheless, it is not always he on
whom beauty works its most conquering influence. It is the dull
commonplace man into whose slow brain she drops like a celestial light,
and burns lastingly. The poet, for instance, is a connoisseur of beauty:
to the artist she is a model. These gentlemen by much contemplation of
her charms wax critical. The days when they had hearts being gone, they
are haply divided between the blonde and the brunette; the aquiline nose
and the Proserpine; this shaped eye and that. But go about among simple
unprofessional fellows, boors, dunderheads, and here and there you shall
find some barbarous intelligence which has had just strength enough to
conceive, and has taken Beauty as its Goddess, and knows but one form to
worship, in its poor stupid fashion, and would perish for her. Nay, more:
the man would devote all his days to her, though he is dumb as a dog.
And, indeed, he is Beauty's Dog. Almost every Beauty has her Dog. The
hero possesses her; the poet proclaims her; the painter puts her upon
canvas; and the faithful Old Dog follows her: and the end of it all is
that the faithful Old Dog is her single attendant. Sir Hero is revelling
in the wars, or in Armida's bowers; Mr. Poet has spied a wrinkle; the
brush is for the rose in its season. She turns to her Old Dog then. She
hugs him; and he, who has subsisted on a bone and a pat till there he
squats decrepit, he turns his grateful old eyes up to her, and has not a
notion that she is hugging sad memories in him: Hero, Poet, Painter, in
one scrubby one! Then is she buried, and the village hears languid howls,
and there is a paragraph in the newspapers concerning the extraordinary
fidelity