r than the virtuous, which never put themselves in such
positions, but ply the distaff at home. Never should reputation of woman
trail a scent! How true! and true also that the women of waxwork never
do; and that the women of happy marriages do not; nor the women of holy
nunneries; nor the women lucky in their arts. It is a test of the
civilized to see and hear, and add no yapping to the spectacle.

Thousands have reflected on a Diarist's power to cancel our Burial
Service. Not alone the cleric's good work is upset by him; but the
sexton's as well. He howks the grave, and transforms the quiet worms,
busy on a single poor peaceable body, into winged serpents that disorder
sky and earth with a deadly flight of zig-zags, like military rockets,
among the living. And if these are given to cry too much, to have their
tender sentiments considered, it cannot be said that History requires the
flaying of them. A gouty Diarist, a sheer gossip Diarist, may thus, in
the bequest of a trail of reminiscences, explode our temples (for our
very temples have powder in store), our treasuries, our homesteads, alive
with dynamitic stuff; nay, disconcert our inherited veneration, dislocate
the intimate connexion between the tugged flaxen forelock and a title.

No similar blame is incurred by Henry Wilmers. No blame whatever, one
would say, if he had been less, copious, or not so subservient, in
recording the lady's utterances; for though the wit of a woman may be
terse, quite spontaneous, as this lady's assuredly was here and there,
she is apt to spin it out of a museful mind, at her toilette, or by the
lonely fire, and sometimes it is imitative; admirers should beware of
holding it up to the withering glare of print: she herself, quoting an
obscure maximmonger, says of these lapidary sentences, that they have
merely 'the value of chalk-eggs, which lure the thinker to sit,' and
tempt the vacuous to strain for the like, one might add; besides
flattering the world to imagine itself richer than it is in eggs that are
golden. Henry Wilmers notes a multitude of them. 'The talk fell upon our
being creatures of habit, and how far it was good: She said:--It is there
that we see ourselves crutched between love grown old and indifference
ageing to love.' Critic ears not present at the conversation catch an
echo of maxims and aphorisms overchannel, notwithstanding a feminine
thrill in the irony of 'ageing to love.' The quotation ranks rather among
the t