ment forwarded.

Livia scornfully stated the tattling world's 'latest.' The captain was as
brief, in ordinary words, whose quick run to the stop could be taken for
a challenge of the eye. It stamped the adversary's frown on Fleetwood
reading. Lady Arpington was more politic; she wrote of 'a healthy boy,'
and 'the healthy mother giving him breast,' this being 'the way for the
rearing of strong men.' She condescended to the particulars, that she
might touch him.

The earl had not been so reared: his mother was not the healthy mother.
One of his multitudinous, shifty, but ineradicable ambitions was to
exhibit an excellingly vigorous, tireless constitution. He remembered the
needed refreshment of the sea-breezes aboard his yacht during the week
following the sleep-discarded nights at Scrope's and the green tables.
For a week he hung to the smell of brine, in rapturous amity with Feltre,
until they yellowed, differed, wrangled, hated.

A powerful leaven was put into him by the tidings out of Wales. Gower,
good fellow, had gone down to see the young mother three weeks after the
birth of her child. She was already renewing her bloom. She had produced
the boy in the world's early manner, lightly, without any of the tragic
modern hovering over death to give the life. Gower compared it to a
'flush of the vernal orchard after a day's drink of sunlight.' That was
well: that was how it should be. One loathes the idea of tortured women.

The good fellow was perhaps absurdly poetical. Still we must have poetry
to hallow this and other forms of energy: or say, if you like, the right
view of them impels to poetry. Otherwise we are in the breeding yards,
among the litters and the farrows. It is a question of looking down or
looking up. If we are poor creatures--as we are if we do but feast and
gamble and beget--we shall run for a time with the dogs and come to the
finish of swine. Better say, life is holy! Why, then have we to thank her
who teaches it.

He gazed at the string of visions of the woman naming him husband, making
him a father: the imagined Carinthia--beautiful Gorgon, haggard Venus;
the Carinthia of the precipice tree-shoot; Carinthia of the ducal
dancing-hall; and she at the altar rails; she on the coach box; she
alternately softest of brides, doughtiest of Amazons. A mate for the
caress, an electrical heroine, fronted him.

Yes, and she was Lord Fleetwood's wife, cracking sconces,--a demoiselle
Moll Flanders,--the wo