FREE BOOKS

Author's List




PREV.   NEXT  
|<   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44  
45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   >>   >|  
g ancient as well as modern in the wonderment it causes, that would make the Law courts bless their hearts, judges no less than the barristers, to have it running through them day by day, with every particular to wrangle over, and many to serve as a text for the pulpit. So to proceed. It should be mentioned that the postillion Charles Dump is not represented, and I have no conception of the reason why not, sitting on horseback, in the portrait in the possession of the Cawthorne family. I have not seen it, I am bound to admit. We had offended Dr. Cawthorne, by once in an urgent case calling in another doctor, who, he would have it, was a quack, that ought to have killed us, and we ceased to visit; but a gentleman who was an established patient of Dr. Cawthorne's and had frequent opportunities of judging the portrait, in the course of a chronic malady, describes Charles Dump on his legs as a small man looking diminished from a very much longer one by shrinkage in thickish wrinkles from the shoulders to the shanks. His hat is enormous and very gay. He is rather of sad countenance. An elevation of his collar behind the ears, and pointed at the neck, gives you notions of his having dropped from some hook. He stands with his forefinger extended, like a disused semaphore-post, that seems tumbling and desponding on the hill by the highroad, in his attitude while telling the tale; if standing it may be called, where the whole figure appears imploring for a seat. That was his natural position, as one would suppose any artist must have thought, and a horse beneath him. But it has been suggested that the artist in question was no painter of animals. Then why did he not get a painter of animals to put in the horse? It is vain to ask, though it is notorious that artists combine without bickering to do these things; and one puts his name on the animal, the other on the human being or landscape. My informant adds, that the prominent feature, telling a melancholy tale of its own, is of sanguine colour, and while plainly in the act of speaking, Charles Dump might be fancied about to drop off to sleep. He was impressed by the dreaminess of the face; and I must say I regard him as an interesting character. During my girlhood Napoleon Bonaparte alone would have been his rival for filling an inn along our roads. I have known our boys go to bed obediently and get up at night to run three miles to THE WHEATSHEAF, only to stand on the bench
PREV.   NEXT  
|<   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44  
45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   >>   >|  



Top keywords:

Charles

 

Cawthorne

 
artist
 

telling

 

portrait

 

animals

 

painter

 

question

 

suggested

 

beneath


obediently
 

notorious

 

thought

 

standing

 

called

 

desponding

 

highroad

 

attitude

 

position

 

natural


suppose

 

figure

 

appears

 

imploring

 

WHEATSHEAF

 

artists

 

bickering

 

fancied

 

speaking

 
filling

colour

 
plainly
 

Bonaparte

 

character

 

During

 

interesting

 

dreaminess

 

Napoleon

 

girlhood

 

impressed


sanguine

 

tumbling

 

animal

 

things

 

regard

 

landscape

 

feature

 
melancholy
 

prominent

 

informant