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he minutest kind in the structure of one of these nerves, or in the structure of the part in which it originates, or of the supply of blood to that part, or of one of the muscles to which it is distributed, might render all of us dumb. But a race of dumb men, deprived of all communication with those who could speak, would be little indeed removed from the brutes. And the moral and intellectual difference between them and ourselves would be practically infinite, though the naturalist should not be able to find a single shadow of even specific structural difference. But let me dismiss this question now, and, in conclusion, let me say that you may go away with it as my mature conviction, that Mr. Darwin's work is the greatest contribution which has been made to biological science since the publication of the 'Regne Animal' of Cuvier, and since that of the 'History of Development' of Von Baer. I believe that if you strip it of its theoretical part it still remains one of the greatest encyclopaedias of biological doctrine that any one man ever brought forth; and I believe that, if you take it as the embodiment of an hypothesis, it is destined to be the guide of biological and psychological speculation for the next three or four generations. [Footnote 1: And as I conceive with very good reason; but if any objector urges that we cannot prove that they have been produced by artificial or natural selection, the objection must be admitted-- ultrasceptical as it is. But in science, scepticism is a duty.] End of the Project Gutenberg EBook of A Critical Examination Of The Position Of Mr. Darwin's Work, "On The Origin Of Species," In Relation To The Complete Theory Of The Causes Of The Phenomena Of Organic Nature, by Thomas H. Huxley *** END OF THIS PROJECT GUTENBERG EBOOK ON THE ORIGIN OF SPECIES *** ***** This file should be named 2926.txt or 2926.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/9/2/2926/ Produced by Amy E. Zelmer Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to
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