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The Project Gutenberg EBook of The Maner of the Tryumphe of Caleys and Bulleyn and The Noble Tryumphant Coronacyon of Quene Anne, Wyfe unto the Most Noble Kynge Henry VIII, by Wynkyn de Worde This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Maner of the Tryumphe of Caleys and Bulleyn and The Noble Tryumphant Coronacyon of Quene Anne, Wyfe unto the Most Noble Kynge Henry VIII Author: Wynkyn de Worde Editor: Edmund Goldsmid Release Date: May 24, 2010 [EBook #32515] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK TRYMPHE OF CALEYS AND BULLEYN *** Produced by Meredith Bach and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) _THE MANER of the TRYUMPHE AT CALEYS AND BULLEYN._ _This Edition is limited to 75 Large Paper copies, and 275 Small Paper copies, issued only to Subscribers._ Bibliotheca Curiosa. THE MANER OF THE TRYUMPHE OF CALEYS AND BULLEYN, AND THE NOBLE TRYUMPHAUNT CORONACYON OF QUENE ANNE, _Wyfe unto the Most Noble Kynge Henry VIII_. _Printed by_ WYNKYN DE WORDE, _1532-33_. Edited by EDMUND GOLDSMID, F.R.H.S., F.S.A. (Scot.) PRIVATELY PRINTED, EDINBURGH. 1884. INTRODUCTION. The two extremely rare tracts here given have been reprinted by Prof. Arber in his "English Garner," if we can call _reprinting_ the issuing of a pamphlet not only with the spelling entirely modernised, but also with words and phrases inserted or inverted to suit the Editor's taste. In the "_Tryumphe at Caleys_" Mr Arber has issued the Second Edition, giving us no particulars whatever as to the First. In the list of the noblemen of France, Mr Arber modernises the names and yet gives us a Cardinal _Gramond_, being evidently unaware of the existence of the noble family of de Grammont, and he equally fails to recognise in the Comte de Tonnore, the celebrated Armand, Comte de Tonnerre. Anne de Montmerancy remains for him an unknown actor on the brilliant stage, and yet, surely, the name of the Montmorency must have reached his ears. I have here given an absolute rep
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