etc., wind the warp strings around three
teeth in the head and foot pieces. This will give a warp of one-half
inch--that is, one-half inch from one string to the other.
For silk, silkoline, finer rags, carpet ravelings, double wool, etc.,
wind the warp strings around two teeth, thus making a warp of
three-eighths inches.
[Sidenote: _Kindergarten patterns_]
For double wool, worsted, rope silk, chenille, or raffia, where one
wishes to reproduce kindergarten designs, as in paper-weaving, place the
warp strings around one tooth only. This makes a close warp of
three-sixteenths inch, which helps to form the design with the woof
threads. In this case the warp should be of the same material as the
woof. In kindergarten patterns the woof threads determine the color
effect. It is better to have the children weave the pattern first with
practice mats and slats, particularly if they have never had experience
in the kindergarten. Suggestions for weaving kindergarten designs are
given under the head of _Raffia_.
[Sidenote: _Plaids_]
For a plaid effect, string the warp at regular intervals, with different
colors. Then weave the same colors at equal intervals to form the plaid.
(See illustrations, pages 92, 98, and 101.) Shawls, carriage blankets,
etc., woven in this way are very attractive.
[Sidenote: _Stripes_]
A striped warp is strung in the same way. (See illustrations, pages 101
and 117.) The stripes could be continued through the mat, if desired, by
weaving only _one_ color in the woof. By weaving _two_ colors squares
are obtained such as those seen in the corners.
[Sidenote: _Materials for warp_]
For weaving with carpet ravelings or rags, and sometimes double wool,
where a plain effect is desired, the warp should be of common twine, as
near the color of the work as possible. Carpet thread is good,
especially for the double warp in Turkish rugs. Balls of warp string can
be obtained at department stores. Oriental cord comes in several colors,
and can be had at a few cents a ball at the notion and stationery
counters in department stores.
[Sidenote: _How to string a warp_]
The warp should always be one continuous string, and several inches
should be left at each end in order to fasten securely when the work is
finished. If preferred, the warp ends can be fastened before the weaving
is commenced. Care should be taken to place the first and last strings
of the warp directly _over_ the rods, and, in weaving,
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