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etc., wind the warp strings around three teeth in the head and foot pieces. This will give a warp of one-half inch--that is, one-half inch from one string to the other. For silk, silkoline, finer rags, carpet ravelings, double wool, etc., wind the warp strings around two teeth, thus making a warp of three-eighths inches. [Sidenote: _Kindergarten patterns_] For double wool, worsted, rope silk, chenille, or raffia, where one wishes to reproduce kindergarten designs, as in paper-weaving, place the warp strings around one tooth only. This makes a close warp of three-sixteenths inch, which helps to form the design with the woof threads. In this case the warp should be of the same material as the woof. In kindergarten patterns the woof threads determine the color effect. It is better to have the children weave the pattern first with practice mats and slats, particularly if they have never had experience in the kindergarten. Suggestions for weaving kindergarten designs are given under the head of _Raffia_. [Sidenote: _Plaids_] For a plaid effect, string the warp at regular intervals, with different colors. Then weave the same colors at equal intervals to form the plaid. (See illustrations, pages 92, 98, and 101.) Shawls, carriage blankets, etc., woven in this way are very attractive. [Sidenote: _Stripes_] A striped warp is strung in the same way. (See illustrations, pages 101 and 117.) The stripes could be continued through the mat, if desired, by weaving only _one_ color in the woof. By weaving _two_ colors squares are obtained such as those seen in the corners. [Sidenote: _Materials for warp_] For weaving with carpet ravelings or rags, and sometimes double wool, where a plain effect is desired, the warp should be of common twine, as near the color of the work as possible. Carpet thread is good, especially for the double warp in Turkish rugs. Balls of warp string can be obtained at department stores. Oriental cord comes in several colors, and can be had at a few cents a ball at the notion and stationery counters in department stores. [Sidenote: _How to string a warp_] The warp should always be one continuous string, and several inches should be left at each end in order to fasten securely when the work is finished. If preferred, the warp ends can be fastened before the weaving is commenced. Care should be taken to place the first and last strings of the warp directly _over_ the rods, and, in weaving,
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