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Principles, value of learning, 23. Public schools, practical training in, 10, 18, 26-27. Purses, 117-118. "Pussy-cat stairs," 39-40. Quilts, 109. Raffia, 42, 45, 56, 58 ff., 71, 84-85. Raffia mats, method of weaving, 101-121. Ravelings, 43, 53, 83. Red dye, 60. Reins, 110. "Republic of Childhood," The, 34, 145. Rope silk, 42, 52-53; splicing of, 84. Sachet cases, 120. Scarf, 116. School bags, 118. Scientific facts as applied in schools, 8. Sequence weaving, 35 ff. Serebend rugs, 123. Shawls, 109-110. Shetland wool, 56. Shoes, bed, 113-114; baby, 115. Shopping bags, 118. Shuttle, Egyptian, 13; Hindoo, 15. Silk, 52; knitting, 57. Silk canvas, 119-120. Silkoline, 51, 83; for rugs or mats, 86-92. Skirt, doll's, 110. Slats, weaving with, 23-24, 31-32. Sleeve protectors, 117. Slumber robes, 49, 54, 120, 121. Socks, 113-114. Sofa pillows, 120. Songs, games, and stories, 143-152, 148 ff. Splicing, methods of, 83-85. Splints, weaving with, 23-24, 39. Star, 37. Steiger, E., publisher, 35. Stories, 143, 152; list of, 148 ff. "Straw Weaving," 104. Success, Froebel's theory, 17. Sweater, doll's, 41. Table cover, 49. Table mats, 38, 116, 117. Tam O'Shanter, 110. Tassels, 112. Tippet, 116. Todd Adjustable Hand-loom, 18-21. Towels, doll's, 55, 108-109. Turkish rugs, designs for, 47-48, 123-124. Vegetable dyes, 58, 61, 72. Vegetable fibres, for weaving, 13, 14. Veil cases, 120. Walker and Jenks, song by, 144, 145. Warp, 20, 42-50. Weaving, its advantages, 11, 22; oldest of the industrial arts, 12, 13, 14; defined, 22; first steps in, 23, 30-41; free paper, 35. Wheeler, Mrs. Candace, 58. Wiebe, Edward, 34, 35. Wiggin, Mrs. Kate Douglas, 34, 145. Wilton rugs, 120-121, 131, 132, 134. Woof, stringing of, 20. Wool, for weaving, 13, 14, 54, 62 ff. Worsted, splicing of, 83. Wristlets, 116-117. ***END OF THE PROJECT GUTENBERG EBOOK HAND-LOOM WEAVING*** ******* This file should be named 31630.txt or 31630.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/3/1/6/3/31630 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so th
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