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h no, it was not so simple as the lord of the manor thought! It might be a good while yet before the big estate was "rounded off." Franz Vogt opened the mouth of the sack and shook out a portion of the seed-corn. The two cows stood chewing the cud by the wayside. He turned to the field. The sun shone gaily as it mounted upwards. The black earth lay ready and receptive; above the furrows hovered a light mist, and an invigorating aroma ascended from the soil, like incense offered by the maternal earth to the engendering sun to celebrate the new year of fruitfulness that was just beginning. The untiring force of nature was in this fragrance, shedding courage and strength into the hearts of mankind with the full benediction of spring. An overpowering sensation made the young peasant fall on his knees, and he touched the earth with reverent caressing hands as though it were something sacred. He had found his home again. A troop of hired labourers, strangers from Galicia, were approaching a field in the neighbouring property of the manor. They followed each other wearily like a band of slaves, unwilling and half asleep. Behind them came the inspector. "Avanti, avanti!" he cried, supposing, apparently, that this was Polish. And the strangers set to work. Their heads were bowed wearily, and their movements resembled the automatism of a machine. But Franz Vogt stepped out into the broad sunshine with head erect, and strewed the seed into the furrows of his land with a free sweep of his outstretched arm. Printed by Ballantyne, Hanson & Co. London & Edinburgh. End of the Project Gutenberg EBook of 'Jena' or 'Sedan'?, by Franz Beyerlein *** END OF THIS PROJECT GUTENBERG EBOOK 'JENA' OR 'SEDAN'? *** ***** This file should be named 31099.txt or 31099.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/0/9/31099/ Produced by Charles Bowen, from scans obtained from The Internet Archive. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use
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