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irst, partly from curiosity to see whether there were any foundation for the rumors which already were flying abroad. The rumors embraced everything from meningitis to suicide, everything except the truth. And meanwhile, the Lorimers' rooms were transformed into a species of flower show, and, in the midst of the flowers, Lorimer lay asleep, his cheek resting on his hand, his lips curving into the old winning smile they knew so well. For him, as for Thayer, the past was passed and done. For him, too, the future might still be full of promise. Thayer, as he stood beside the man who had been his old-time friend, admitted as much to himself, and all at once the intoning of the solemn ritual ceased to jar upon his ears. For Lorimer, as for himself, the fight was still on. The arena had changed; that was all. Perhaps in the new battle, Lorimer would arm himself with stronger weapons. Then the intoning stopped, and some one made a signal to Thayer. Simply as a boy, and with a boyish tenderness, he sang the little hymn they had chosen for him. Each man and woman who listened, felt gentler and nobler for his song; but only Beatrix, shut decorously in the room upstairs, away from her dead, realized that, for the passing hour, Thayer had annulled the passion and the pain of those last weeks, and had gone back again to the old, pitiful, protecting love which for years had marked his attitude towards Lorimer. From Lorimer's funeral, society went home to rest and gossip and exchange its sombre clothing for its most brilliant plumage. Nearly two years before, society had taken Cotton Mather Thayer to its bosom. Now it was making ready to burn much incense in his honor, and its first step in the process was to make his opening night of opera one of the most brilliant events of the winter. With this laudable end in view, the house was packed, and the women present had drawn heavily upon their reserve fund of brand-new gowns which they had been hoarding for the final gayeties of the season. Thayer, with Arlt at his side, lingered idly in the wings, while the audience listened with ill-concealed impatience to the melodious bargaining between _Faust_ and _Mephistopheles_. Then the attention quickened, as every bar of the Kermess chorus brought them nearer to the moment for _Valentine's_ coming. Charm in hand, he came at last, and the applause, caught up to the galleries and tossed back to the floor, echoed again and again through
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