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afternoon; I'll do it the first thing in the morning." And rash Ned went to rest on Miss Pamela's feather-bed, in a room smelling of withered rose leaves. The bed was hung with old chintz curtains; the wall-paper displayed a pattern of large faded flowers. The swallows made a soft twittering in the wide chimney, as he closed his eyes with a glow of satisfaction at the thought of the kind action (and very clever one, too!) he had undertaken to perform. He found it harder than he had expected. The screws were rusty and hard to move, and the tuning key was old, and _would_ slip. But before noon he announced his task completed, and Miss Pamela and her two nieces gathered near, their faces beaming with interest. The piano was small and narrow, with legs so thin as to suggest to Ned that it needed pantaloons. It had been the pride and glory of Miss Pamela's girlhood, and was still, in her eyes, an excellent and valuable instrument, although she, being of a modest turn of mind, was willing to acknowledge that it had probably seen its best days. "It will be _so_ nice to have it in good tune again!" she said, in a tone of great satisfaction. "I declare, Master Ned, what a thing it is to have such advantages as you boys are having!--to be able to turn your hand to 'most anything! Now, then, Kitty, play 'Days of Absence.'" Kitty played it. But what could be the meaning of that fearful jumble of strange sounds? Surely that time-honored melody (modern hymn-book, "Greenville") never sounded so before. What was the matter? Miss Pamela's face fell a little, but she still smiled, and said, "You had better get your notes, Kitty; you are playing carelessly." Kitty got her notes, and played carefully, but the result was still, to say the least, most astonishing and unsatisfactory. "Try 'Come, Haste to the Wedding,' then." But the jig ran riot to such an extent that Kitty lost her place, stumbled, and finally came to a dead stop. Poor Miss Pamela listened with a face of deepening dismay, while Ned stood still, with cold chills running down his back, as he was suddenly struck with the appalling idea that he might have undertaken something entirely beyond his abilities, and that the ruin of the cherished old piano might be the possible dreadful result. "Try a scale, Kitty," again suggested Miss Pamela, with a polite effort to look tranquil. Oh, that scale--what capers it cut! what unheard-of combinations of fearful soun
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