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ual. Wordsworth, who was the first clearly to draw the distinction between the _fancy_ and the _imagination_, states it as follows: To aggregate and to associate, to evoke and to combine, belong as well to the _imagination_ as to the _fancy_; but either the materials evoked and combined are different; or they are brought together under a different law, and for a different purpose. _Fancy_ does not require that the materials which she makes use of should be susceptible of changes in their constitution from her touch; and where they admit of modification, it is enough for her purpose if it be slight, limited, and evanescent. Directly the reverse of these are the desires and demands of the _imagination_. She recoils from everything but the plastic, the pliant, and the indefinite. She leaves it to _fancy_ to describe Queen Mab as coming: 'In shape no bigger than an agate stone On the forefinger of an alderman.' Having to speak of stature, she does not tell you that her gigantic angel was as tall as Pompey's Pillar; much less that he was twelve cubits or twelve hundred cubits high; or that his dimensions equalled those of Teneriffe or Atlas; because these, and if they were a million times as high, it would be the same, are bounded. The expression is, 'His stature reached the sky!' the illimitable firmament!--When the _imagination_ frames a comparison, ... a sense of the truth of the likeness from the moment that it is perceived grows--and continues to grow--upon the mind; the resemblance depending less upon outline of form and feature than upon expression and effect, less upon casual and outstanding than upon inherent and internal properties.[B] _Poetical Works, Pref. to Ed. of 1815_, p. 646, app. [T. & H. '51.] So far as actual images are concerned, both _fancy_ and _imagination_ are limited to the materials furnished by the external world; it is remarkable that among all the representations of gods or demigods, fiends and demons, griffins and chimaeras, the human mind has never invented one organ or attribute that is not presented in human or animal life; the lion may have a human head and an eagle's wings and claws, but in the various features, individually, there is absolutely nothing new. But _imagination_ can transcend the work of _fancy_, and compare an image drawn from the external world with some
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