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may cause to be crucified and resurrected in himself, whereby he attains a kingdom of heaven on earth with those peculiar qualities that have been allegorically attributed to the philosopher's stone. Therefore the terrestrial stone is called a reflection of the celestial and so it is said that from lead, etc., the stone may be easily produced and "in a short time," i.e., not only after death. At any rate in primitive symbolism there seems to be a religious idea at the bottom of the recommendation to use the sputum lunae (moon spittle) or sperm astrale (star semen), star mucus, in short of an efflux from the world of light above us, as first material for the work of our illumination. [In many alchemistic recipes such things are recommended. Misunderstanding led to a so-called shooting star substance being eagerly hunted for. What was found and thought to be star mucus was a gelatinous plant.] So it is in this passage from John IX, 5, ff.: "As long as I am in the world I am the light of the world. When he [Jesus] had thus spoken, he spat on the ground and made clay of the spittle and anointed the eyes of the blind man with the clay, and said unto him, Go, wash in the pool of Siloam [which is by interpretation: Sent]. He went his way, therefore, washed, and came seeing." The transference of a virtue by the receiving of a secretion is a quite common primitive idea. As Michael Maier (Symbola Aureae Mensae Lib. XI) informs us, Melchior Cibinensis, a Hungarian priest, expressed the secrets of the forbidden art in the holy form of the Mass. For as birth, life, exaltation, suffering in fire and then death were, as it were, ascribed to the Philosopher's Stone in black and gloomy colors, and finally resurrection and life in red and other beautiful colors, so he compared his preparation with the work of the salvation of man (and the "terrestrial" stone with the "celestial" stone), namely, with the birth, life, suffering, death and resurrection of Christ. (Hoehler, Herm. Phil., p. 156.) The making of the Philosopher's Stone is, so to speak, the Imitation of Christ. Hitchcock (H. A., p. 143) believes that Irenaeus Philaletha has clearly alluded in a passage of his writings to the two mental processes, analysis and synthesis, which lead to the same end. "To seek the unity through Sol, I take it, is to employ the intellect upon the Idea of Unity, by analysis that terminates in the parts; whereas to study upon Mercury, here used for
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