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mixed interests, secular and spiritual, of that mighty Christian church which at that time was co-extensive with Christianity in the West, gave to the Schoolmen a more instant, human, and impassioned interest in the labours of that mysterious loom which pursued its aerial web through three centuries. As a consequence from all this, we affirm that the parallel is complete between the situation on the one side of the early Greek authors, the creators of Greek literature in the age of Pericles, and, on the other side, of the Christian Schoolmen; (1) the same intense indolence, which Helvetius fancied to be the most powerful stimulant to the mind under the reaction of _ennui_; (2) the same tantalizing dearth of books--just enough to raise a craving, too little to meet it; (3) the same chilling monotony of daily life and absence of female charities to mould social intercourse--for the Greeks from false composition of society and vicious sequestration of women--for the scholastic monks from the austere asceticism of their founders and the 'rule' of their order; (4) finally the same (but far different) enthusiasm and permanent elevation of thought from disinterested participation in forwarding a great movement of the times--for the one side tending to the unlimited aggrandisement of their own brilliant country; for the other, commensurate with what is conceivable in human grandeur. This sketch of Christianity as it is mysteriously related to the total body of Philosophy actual or possible, present or in reversion, may seem inadequate. In some sense it _is_ so. But call it a note or '_excursus_,' which is the scholarlike name for notes a little longer than usual, and all will be made right. What we have in view, is to explain the situation of the Greeks under Pericles by that of the Schoolmen. We use the modern or Christian case, which is more striking from its monastic peculiarity, as a reflex picture of the other. We rely on the moulding circumstances of Scholasticism, its awakened intellect, its famishing eagerness from defect of books, its gloom from the exile of all feminine graces, and its towering participation in an interest the grandest of the age, as a sort of _camera obscura_ for bringing down on the table before us a portraiture essentially the same of early Greek society in the rapturous spring-time of Pericles. If the governing circumstances were the same in virtue, then probably there would be a virtual sam
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