FREE BOOKS

Author's List




PREV.   NEXT  
|<   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214  
215   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   235   >>  
od full light--I mean her spirit-face did--whilst all the others leaned to a more or less dim religious kind of gloom. In a short time, however, "Katie"--as the familiar of Miss B. was termed--thought she would be able to "materialize" herself so far as to present the whole form, if we re-arranged the corner cupboard so as to admit of her doing so. Accordingly we opened the door, and from it suspended a rug or two opening in the centre, after the fashion of a Bedouin Arab's tent, formed a semicircle, sat and sang Longfellow's "Footsteps of Angels." Therein occurs the passage: "Then the forms of the departed enter at the open door." And, lo and behold, though we had left Miss B. tied and sealed to her chair, and clad in an ordinary black dress somewhat voluminous as to the skirts, a tall female figure draped classically in white, with bare arms and feet, did enter at the open door, or rather down the centre from between the two rugs, and stood statue-like before us, spoke a few words, and retired; after which we entered the Bedouin tent and found pretty Miss B. with her dress as before, knots and seals secure, and her boots on! This was Form No. 1, the first I had ever seen. It looked as material as myself; and on a subsequent occasion--for I have seen it several times--we took four very good photographic portraits of it by magnesium light. The difficulty I still felt, with the form as with the faces, was that it seemed so thoroughly material and flesh-and-blood like. Perhaps, I thought, the authoress of "The Gates Ajar" is right, and the next condition of things may be more material than we generally think, even to the extent of admitting, as she says, pianofortes among its adjuncts. But I was to see something much more ghostly than this. The great fact I notice about Spiritualism is, that it is obeying the occult impetus of all great movements, and steadily going from east to west. From Hackney and Highbury it gravitates towards Belgravia and Tyburnia. I left the wilds of Hackney behind, and neared Hyde Park for my next Form. I must again conceal names and localities; I have no desire to advertise mediums, or right to betray persons who have shown me hospitality--and Spirit Forms. We arranged ourselves in a semicircle around the curtains which separated the small back drawing-room from the large front one, joined hands, sang until we were hoarse as crows, and kept our eyes steadily fixed on an aperture left between the
PREV.   NEXT  
|<   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214  
215   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   235   >>  



Top keywords:

material

 

arranged

 

centre

 

Bedouin

 

steadily

 

semicircle

 
Hackney
 

thought

 

Spiritualism

 

adjuncts


ghostly
 

notice

 

generally

 

Perhaps

 

authoress

 

magnesium

 

extent

 

portraits

 
admitting
 

difficulty


condition

 
things
 

obeying

 

pianofortes

 

neared

 
curtains
 

separated

 
drawing
 

hospitality

 

Spirit


aperture

 

hoarse

 

joined

 

persons

 

gravitates

 

Belgravia

 

Tyburnia

 
Highbury
 

movements

 

impetus


photographic
 
desire
 

advertise

 
mediums
 
betray
 
localities
 

conceal

 

occult

 

suspended

 

opened