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ved, as did the exiled Copernicus, forbidden to travel more than six miles from his church, or to speak to any but his own flock. Here he gave his life as a teacher of children, a nurse, a doctor and a spiritual guide to a people almost devoid of spirituality. Madame Guyon was sent to a nunnery, where she was actually a prisoner, working as a menial. Fenelon and Madame Guyon never met again, but once a month they sent each other a love-letter on spiritual themes in which love wrote between the lines. Time had tamed the passions of Madame Guyon, otherwise no convent-walls would have been high enough to keep her captive. Sweet, sad memories fed her declining days, and within a few weeks of her death she declared that her life had been a success, "for I have been loved by Fenelon, the greatest and most saintly man of his time." And as for the Abbe Fenelon, the verdict of the world seems to be that he was ruined by Madame Guyon; but if he ever thought so, no sign of recrimination ever escaped his lips. FERDINAND LASSALLE AND HELENE VON DONNIGES DRAMATIS PERSONAE FERDINAND LASSALLE PRINCE YANKO RACOWITZA HERR VON DONNIGES KARL MARX DOCTOR HAENLE JACQUES HELENE VON DONNIGES FRAU VON DONNIGES FRAU HOLTHOFF HILDA VON DONNIGES Servants, maids, butler, landlord, ladies and gentlemen. A wise man has said that there is a difference between fact and truth. He has also told us that things may be true and still not be so. The truth as to the love-story of Ferdinand Lassalle and Helene von Donniges can only be told by adhering strictly to the facts. Facts are not only stubborn things, but often very inconvenient; yet in this instance the simple facts fall easily into dramatic form, and the only way to tell the story seems to be to let it tell itself. Dramas are made up of incidents that have happened to somebody sometime, but in no instance that I ever heard of have all the situations pictured in a play happened to the persons who played the parts. The business of the playwright is selection and rejection, and usually the dramatic situations revealed have been culled from very many lives over a long course of years. Here the author need but reveal the tangled skein woven by Fate, Meddling Parents, Pride, Prejudice, Caprice, Ambition, Passion. In other words it is human nature in a tornado, and human nature is a vagrant ship, with a spurious chart, an uncertain compass, a drunken p
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