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me to town, they tell me," the Russian murmured. "No, why should I?" Lilla returned, as if violently aroused from sleep. She saw beyond Anna Zanidov, on the steps of the box, a man whose visage was lined across the forehead and under the cheekbones, and who showed, under his heavy, mouse-colored mustache, a stony, courteous smile. It was the new face of Cornelius Rysbroek. "No, sit here," said the Russian, "I wish to talk with Fanny." He seated himself beside Lilla, and, after watching a horse clear a jump, remarked: "Do you know I'm living near you?" He had taken a house in Westchester County, five miles away from hers. He had been looking for quiet, because he was writing a book about his journey in China--"just for the fun of the thing." "Yesterday," he added indifferently, "I happened to pass your gates. At least I suppose they were. I had a mind to call." His hands, clasped round his knee, attracted her unwilling notice. They had become sinewy. He appeared like a hard-muscled elder brother of the listless hypochondriac who in the old days had paid feeble court to her: and strangeness enveloped him, not only because of the changes in his body and character, but also because of the hardships and escapes that he had experienced in the Chinese mountains. Yet in this strangeness Lilla found a disturbingly familiar quality, like an echo of something lost, a vague and diminished reapparition of an old ideal. "Yes," she said softly, "I wish we could be friends again. But the situation at home is so very delicate." After a long silence, he uttered, so low that she could hardly hear him: "Are there no other places?" The band still played _Wiener Mad'l_. "It's getting late," she faltered, wondering where she was going to find the strength to rise from her chair. "Yes, go back to your tomb. Are there any mirrors in it? Do you ever look in them? Do you see in them what's happening to you? Your eyes are losing their luster; you're getting haggard, and in a little while one will see the bones under your skin. At this moment you look like the devil." Without raising his voice, without ceasing to stare as though bored at the old Russian silver box from which he was taking a cigarette with trembling fingers, he pronounced malignantly, "You are losing your beauty, Lilla--all that you ever had to plunge a man into hell. Presently, thank God, there will be nothing to love." It seemed to her t
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