his Wife, on one plate. Dated 1636.

20. Portrait of Rembrandt. He has on a mezetin cap, decked with a
feather, and a rich mantle. Dated 1638.

*21. Portrait of Rembrandt, seen in a three-quarter view; he has long
curling hair and moustaches; a cap of the usual shape covers the head,
and a rich mantle the body. The left arm leans on some stone work. Dated
1639.

*22. Portrait of Rembrandt, seen in a front view, wearing a
narrow-brimmed hat, and a plain habit open in front; he is seated at a
table, holding a crayon in his hand. Dated 1648.

23. Portrait of Rembrandt, seen in a three-quarter view, with long
curling hair; he has on a cap with a small feather in front of it,
attached by a ribbon; his mantle is fastened in front by a clasp. Dated
1634. (Oval) (This is the cut plate of the celebrated sabre print.)

24. Portrait of Rembrandt, seen in nearly a front view, having on a fur
cap, which covers his forehead to the eyebrows; his curling hair falls
on his shoulders, and his robe is bordered with fur. Dated 1630.

25. Portrait of Rembrandt, with the left side of the face strongly
shadowed; his frizzled hair falls on the shoulders, and his habit is
a little open in front, and lined with fur. Dated 1631.

26. Portrait strongly resembling Rembrandt, seen in a front view, having
short frizzled hair, and the mouth a little compressed; he has on a cap,
and wears a mantle attached by a little ribbon.

27. Portrait of Rembrandt, closely resembling No. 1. The face is seen
in a front view, and the body in a three-quarter position; the hair is
frizzled, and a toupee is on the left side; the eyes and forehead are
in shadow.

28. Portrait of Rembrandt, seen in a three-quarter view, with a small
beard and mustacheos; a cap of the usual shape covers his frizzled hair,
and the dress is composed of a mantle bordered with fur. This is placed
by Bartsch and Gersaint among the fancy portraits.

29. Portrait resembling Rembrandt when young, seen in a front view, with
round face, large nose, the mouth a little open, short frizzled hair,
and a cap on the head; his mantle is attached by four buttons in front.
Dated 1630.

30. Portrait of Rembrandt (styled by some writers, "Titus, the Son of
the Artist.") It represents a young man, with ragged frizzled hair
falling on the shoulders. He is dressed in a habit with a collar. Dated
1639.

31. Portrait of Rembrandt, or very like him, when a young man; he has
frizzled hair, and wears a