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sense, which no modern can afford not to hear."--H. W. Boynton, in the _Weekly Review_. PEOPLE. By PIERRE HAMP. Translated by James Whitall. With an Introduction by Elizabeth Shepley Sergeant. Introducing one of the most significant writers of France, himself a working man, who in these stories of the French underworld expresses the new self-consciousness of the worker's outlook. THE NEW SOCIETY. By WALTER RATHENAU. Translated by Arthur Windham. One of Germany's most influential thinkers and men of action presents his vision of the new society emerging out of the War. DECADENCE AND OTHER ESSAYS ON THE CULTURE OF IDEAS. By REMY DE GOURMONT. Translated by William Aspenwall Bradley. The first authorized version of the critical work of one of the great aesthetic thinkers of France. IN PREPARATION THE PATRIOT. By HEINRICH MANN. Translated by Ernest A. Boyd. The career of a typical product of militarism, in school, university, business, patriotism, and love, told with a biting incisiveness and irony. THE REFORM OF EDUCATION. By GIOVANNI GENTILE. With an Introduction by BENEDETTO CROCE. Translated by Dino Bigongiari. A new interpretation of the meaning of education, by one who shares with Croce the leadership of Italian thought to-day. A POET'S LOVES: FROM THE UNPUBLISHED MANUSCRIPTS OF VICTOR HUGO. By LOUIS BARTHOU. Translated by Daniel Crehange Rosenthal. A striking, not to say sensational, revelation of the intimate private life of a great poet, by an ex-Premier of France. HARCOURT, BRACE AND COMPANY Publishers New York End of the Project Gutenberg EBook of The New Society, by Walther Rathenau *** END OF THIS PROJECT GUTENBERG EBOOK THE NEW SOCIETY *** ***** This file should be named 20936.txt or 20936.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/0/9/3/20936/ Produced by Markus Brenner, Irma Spehar and the Online Distributed Proofreading Team at http://www.pgdp.net (This file made using scans of public domain works at the University of Georgia.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United Sta
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