indicated on the plan, is set
back or stepped on one side, a type of opening which is quite common in
Tusayan. This form is illustrated in Fig. 84.
This room has three windows, all of very small size, but it has no
interior communication with any other room. In this respect it is
exceptional. Ordinarily rooms communicate with others of the cluster.
Pl. LXXXV shows another typical Tusayan interior in perspective. It
illustrates essentially the same arrangement as does the preceding
example. The room is much larger than the one above described, and it is
divided midway of its length by a similar buttress. This buttress
supports a heavy girder, thus admitting of the use of two tiers of floor
beams to span the whole length of the room. The fireplace and chimney
are similar to those described, as is also the single compartment for
mealing stones. In this case, however, this portion of the room is quite
large, and the row of mealing stones is built at right angles to its
back wall and not parallel with it.
The right-hand portion of the room is provided with a long, straight
pole suspended from the roof beams. This is a common feature in both
Tusayan and Zuni. The pole is used for the suspension of the household
stock of blankets and other garments. The windows of this house are
small, and two of them, in the right-hand division of the room, have
been roughly sealed up with masonry.
Pl. LXXXVI illustrates a typical Zuni interior. In this instance the
example happens to be rather larger than the average room. It will be
noticed that this apartment has many features in common with that at
Tusayan last described. The pole upon which blankets are suspended is
here incorporated into the original construction of the house, its two
ends being deeply embedded in the masonry of the wall. The entire floor
is paved with slabs of much more regular form than any used at Tusayan.
The Zuni have access to building stone which is of a much better grade
than is available in Tusayan.
[Illustration: Plate LI. Stone church at Ketchipauan.]
This room is furnished with long, raised benches of masonry along the
sides, a feature much more common at Zuni than at Tusayan. Usually such
benches extend along the whole length of a wall, but here the projection
is interrupted on one side by the fireplace and chimney, and on the left
it terminates abruptly near the beginning of a tier of mealing stones,
in order to afford floor space for the wom
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