day. In the past twenty years, perhaps, not more
than two can be recalled who have visited the United States as mature,
great artists,--Wilhelmj and Ysaye. Many violinists of excellent ability
have been heard, and to some of them some day the adjective _great_ may
be applied. The fact that they have devoted their energies to concert
work, and have been favourably received by the most important musical
organisations, makes them celebrated, but the word _great_ can apply but
to few.
Adolf Brodsky, who came to America in 1892, and who is a violinist of
much ability, with a beautiful tone, facile and brilliant technique, but
somewhat lacking in elegance and polish, did not come to tour the
country as a virtuoso. He was engaged by Mr. Walter Damrosch as
concert-master for the New York orchestra, but during his stay in this
country he appeared in many of the most important concerts, and was
considered one of the best violinists who had ever come to live in
America.
Brodsky was born in 1851 at Taganrog, in Southern Russia, and was one of
those who found his profession at the age of four, when he bought a
violin at a fair, and began to pick out Russian folk-tunes.
For four years he was taught music at home, and made good progress. Then
a wealthy gentleman was attracted by his talent, hearing him play at a
concert at Odessa, and provided the funds necessary for him to go to
Vienna and study under Hellmesberger. He became second violin in the
celebrated Hellmesberger Quartet, and thus gained a great reputation as
a quartet player.
After travelling all over Europe for four years, he was appointed second
professor of the violin at the Conservatory of Moscow, where he remained
another four years. Then followed more study and more travel until,
when Schradieck accepted the position of violin teacher at the
Cincinnati conservatory, Brodsky was appointed to fill his place at
Leipzig. In 1892 he was called to New York, but, owing to troubles which
arose in the musical profession, he returned to Europe the following
year, and, after a short sojourn in Berlin, received the appointment of
director of the Royal College of Music at Manchester, England, where he
succeeded Sir Charles Halle.
Emil Sauret is well known in America, for he visited the United States
in 1872-73, and made a tour which was so successful, that it was
repeated in 1874, when he travelled with Ilma di Murska, the great
singer, and his wife, Teresa Careno, th
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