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! The inference from this is somewhat dubious, but not to be sceptical, _valeat quantum valere potest_. Aotourou's remembrance of the evils of Batavia was such, as prompted him, whenever he named it, to call it, in the language of his country, _enoua mate_, "the land which kills." It was the 16th October when Bougainville quitted Batavia, on the 19th he cleared the straits of Sunda, and in little more than a fortnight afterwards, he came in sight of the Isle of France, where he found it necessary to put in, to have the frigate hove down and repaired, and to procure refreshments for his voyage home. Having accomplished these objects, he set sail on the 12th December, leaving the Etoile there to be careened, as his junction with her was no longer needed for either vessel. On touching at the Cape of Good Hope, he learned, as is elsewhere mentioned, that Captain Carteret was eleven days before him. This, however, owing to the state of the Swallow, was an inconsiderable advantage, and soon ceased to exist. The particulars of the meeting which took place betwixt that vessel and Bougainville's, have been related in our account of Carteret's voyage, to which the reader is referred. On the 4th of March, Bougainville got sight of the isle of Tereera, on the 14th of Ushant, and on the 16th entered the port of St Maloes, after a voyage of two years and four months. END OF THE THIRTEENTH VOLUME. End of the Project Gutenberg EBook of A General History and Collection of Voyages and Travels, Vol. 13, by Robert Kerr *** END OF THIS PROJECT GUTENBERG EBOOK VOYAGES AND TRAVELS, 13 *** ***** This file should be named 14464.txt or 14464.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/4/4/6/14464/ Produced by Robert Connal, Graeme Mackreth and the PG Online Distributed Proofreading Team. This file was produced from images generously made available by the Canadian Institute for Historical Microreproductions Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Pr
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