h those whose knowledge enabled them to appreciate
it, the clearer was it formulated, until some ten or a dozen years ago
time seemed ripe for its realization. Arthur B. Benton, one of the
leading architects of Southern California, formulated plans, and the
hotel was erected. Its architecture conforms remarkably to that of the
Missions. On Seventh Street are the arched corridors of San Fernando,
San Juan Capistrano, San Miguel and San Antonio de Padua; inside is an
extensive patio and the automobiles stop close to the Campanile
reproducing the curved pediments of San Gabriel. On the Sixth Street
side is the _fachada_ of Santa Barbara Mission, and over the corner of
Sixth and Orange Streets is the imposing dome of San Carlos Borromeo in
the Carmelo Valley, flanked by buttresses of solid concrete, copies of
those of San Gabriel.
The walls throughout are massive and unbroken by any other lines than
those of doors, windows and eaves, and the roofs are covered with red
tiles. In the Bell Tower a fine chime of bells is placed the playing of
which at noon and sunset recalls the matins and vespers of the
Mission days.
Within the building, the old Mission atmosphere is wonderfully
preserved. In the Cloister Music Room the windows are of rare and
exquisite stained glass, showing St. Cecilia, the seats are cathedral
stalls of carved oak; the rafters are replicas of the wooden beams of
San Miguel, and the balcony is copied from the chancel rail of the same
Mission. Mission sconces, candelabra, paintings, banners, etc., add to
the effect, while the floor is made in squares of oak with mahogany
parquetry to remind the visitor of the square tile pavements found in
several of the old Missions.
Daily--three times--music is called forth from the cathedral organ and
harp, and one may hear music of every type, from the solemn, stately
harmonies of the German choral, the crashing thunders of Bach's fugues
and Passion music, to the light oratorios, and duets and solos of
Pergolesi.
By the side of the Music Room is the Cloistered Walk, divided into
sections, in each of which some distinctive epoch or feature of Mission
history is represented by mural paintings by modern artists of skill and
power. The floor is paved with tiles from one of the abandoned Missions.
[Illustration: TOWER, FLYING BUTTRESSES, ETC., GLENWOOD MISSION INN,
RIVERSIDE.]
[Illustration: ARCHES OVER THE SIDEWALK, GLENWOOD MISSION INN,
RIVERSIDE, CALIF.]
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