shares of September.
This side of the documentary we
view in armchair safety, Our Planet:
a well heeled cloud pads across
the moons surface, under the
vast drift-net of the night tuna boats
swing light probes about the arresting
waters another country claims.
David Attenborough journeys through
deserts to break the ancient limestone
tablets, and proclaim that fossils
are the visual memory of stone.

We observe in awe the Environmental
Mysteries and ask, is the suns bald glare
through the Glory Hole truly the
pointing finger of God? Laurence Olivier
puts on his final mask, looking
deathly, Tell my friends that I
miss them, and then fades from the
ramparts. I name two from the camp
of Good Attitude, builders of the beauty
of this planet the givers, not takers
who direct our gaze upward from the
burning footlights of the closing century,
toward the language of our Common Future.

II

The seeing wears away the seer:
twelve years further on Voyager 2 putts
out through the pinball solar
system, past Neptune and beyond the
reach of time. Another day in
the round and the cliche of uneventful
incident has not yet arrived.
The balloon that is so majestic on
the plump air tumbles as heavy
as a plumb-bob onto the countryside,
trailing its fifty seconds of life
huddled to impact. The cattle
scattered, the sky did not change but
released names into the wispy
afternoon. Then all is as it was
before the tragic flight, except
the calm that betokens fear.
And clouds rich as coalmines gathered
from the chutes of mountainsides, over
the belts of grainfield to boost
the corporate climates, and to market
each end of the world gyrally.

A blotting paper sky, the soft
tear of thunder, then lightning. Who
would demand of the wise a word
to steer by? Nostradamus throws his
hands in the air after the event:
Mark well my words, I told you so.
Backward we look upon his bag
of tricks, and with each new calamity
a surreal rabbit lifts before your eyes.
Ribbed streets! Pneumatic heartbeat!
Prophecy is the Art of Boredom
for one who cannot stand his own company
from one moment to the next.
He pulls the hat trick, feigns the
future, argues the task of his breath
wearily on its way. Some ravel
dreams to cats cradles in whose
uninhabited solitude, slowly as a yawn,
wish to pull forth the superstrings.
Call it a living, this space
between meetings. Those encirclements
that bind us together temporall